03 Aug 2015 Astropad Graphics Tablet iPad App Review (Podcast 483)
Today we take a look at an amazing new app for the iPad called Astropad Graphics Tablet, which coupled with a stylus like the Adonit Jot Touch, essentially turns your iPad into a powerful, professional graphics tablet.
Astropad is still a relatively new app as of August 2015, but the small team of ex-Apple employees behind it are working fast and furiously to make it a true, professional grade graphics tablet. It’s pretty much already there, although we do need the ability to save and change shortcuts on an app by app basis to really make this a true alternative to something like the Wacom Cintiq graphics tablet.
Please don’t take that as a negative statement though. I’m told that application profiles to save our shortcuts are in the works, and as you’ll see in my video, even with the functionality already implemented, you can’t go wrong for just $19.99 for a limited time, and even when the price goes back to $29.99, it will be worth every penny.
If you already own an iPad, you can pick up Astropad right away, and give it a try with your fingers, but to really get the most out of Astropad, you need a stylus.
I originally rushed in and bought a Wacom Creative Stylus 2, which is a great stylus, but I found it to be very inaccurate when used with Astropad. I spoke with the team and found that the Adonit Jot Touch stylus is the way to go.
The Adonit Jot Touch stylus is what really takes the Astropad Graphics Tablet app to the professional level. You can work with the tiniest brushes and tools, and you paint exactly where the tip of the stylus touches your iPad screen.
I have been blown away by my experience with Astropad so far, and I know it’s only going to get better. Take a look at my video to see what you can do for just $19.99 for Astropad (for a limited time) and $99.99 for the Adonit Jot Touch stylus.
Astropad Graphics Tablet in the iTunes App Store: https://itunes.apple.com/app/id934510730
Adonit Jot Touch stylus: https://mbp.ac/jottouch
Music by Martin Bailey
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