Shutterstock changed the stock photography industry when they opened their doors in 2003, answering the needs of photography buyers and agencies worldwide, and creating new opportunities for photographers to sell their work. They’ve done it again recently, with the creation of a sister brand called Offset, a curated library of quality work, which I’m proud to also be contributing to. This week it was a pleasure to talk with Keren Sachs, Head of Image Acquisition, and Scott Braut, the VP of Content at Offset.
Areas we touch on include…
- What is Offset?
- How did Offset come about?
- How have the buying public and agencies received Offset since opening the doors to the public recently?
- How did you select the artists you invited during the beta phase and moving forward?
- Is it possible for people to apply to join Offset?
- What do you want to see in a body of work from people that would like to join Offset?
- Do you think we’ve seen the end of traditionally priced [rights managed] stock photography?
Do take a look a the various collections on Offset.com, and if you want to flick through my library on Offset, you can do that here.
If you would like to have your work considered for inclusion in the Offset catalog, you can scroll down and click on “Contribute to Offset” at the bottom of the top page. There is also an email address that you can use to ask questions, so please listen out for that in the audio.
Check out Offset at http://www.offset.com/
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You might remember a couple of Podcast episodes that I released last year, in which I covered two photography assignments that I’d done for a client in Paris. The first assignment was to photograph a Lacquer Gatherer, in the Iwate Prefecture, way up north in Japan. This was a four day assignment, including travel. The second assignment was to shoot a Maki-e Craftsman. This was a one day shoot, involving studio lighting etc.
I also licensed four of my images that represent the Four Seasons, as the book was laid out showing Namiki fountain pens, each with beautiful Maki-e art, and as with most things Japanese, the art can be directly linked to the four seasons. I also commissioned a Japanese calligrapher to create almost 60 pieces of art, each consisting of one or two Japanese characters that represent the four seasons, and then one for each pen presented in the book. I scanned the resulting calligraphy artwork, cleaned up the scans, then sent the images to the client for inclusion in the book.
Here are links to the two Podcasts:
Episode #152 : Lacquer “Urushi” Craftsman Shoot
Episode #155 : Maki-e Craftsman & Tools Shoot
Last week, the results of this work arrived, in the intended final form — the unbelievably high quality book, “The Four Seasons of Namiki” by Christophe Larquemin.
The book is available as a limited edition from Creation Durable, and you can see other pages from the book at their site.
I have shot some images of the book on which my photographs appear. These are basically my “tear-sheets” to prove that my photographs were used in this way. The book itself of course is Copyright © 2009 Christophe Larquemin.
Here is the front cover.
“The Four Seasons of Namiki” Front Cover
There were two sets of credits in the book. I provided names of the Calligrapher, Urushi Gatherer and Makie-Craftsman, which were all included at the back of the book. I was lucky enough to have my name included at the front of the book, as we can see below.
This first set of images are of Omori-san, a veteran Urushi Gatherer from a town called Joboji, in the Iwate Prefecture. I spend two full days with him to make these images, and had a wonderful time, chatting about all sorts of things during our time together. He is a true gentleman and a master of his craft.
Martin’s Image in Use
Martin’s Image in Use (left page only)
Martin’s Images in Use
The next batch of images are of Maki-e, a traditional Japanese art, where the artist paints Urushi (lacquer) onto an item, then sprinkles gold dust or other precious materials to create the pattern or picture.
Martin’s Image in Use
Martin’s Image in Use (left image only)
Martin’s Image in Use (right image only)
I was also instructed to bring back pictures of the tools used in Maki-e as we see below.
Martin’s Images in Use
The next four images are stock images of mine that I licensed for use in the book. They are four images that represent the four seasons from a Japanese perspective. You might not think the blue waterfall is very summery, but in Japan, this kind of scene looks cool, like the sort of place one would like to be in summer.
The large Japanese calligraphy characters on these pages is also that which I commissioned and scanned. They are the characters for Spring, Summer, Autumn and Winter.
Martin’s Image in Use – Stock image for Spring
Martin’s Image in Use – Stock image for Summer
Martin’s Image in Use – Stock image for Autumn
Martin’s Image in Use – Stock image for Winter
Although it was almost a year ago when I worked on this project, it was great to see the images in the final form like this. Thanks very much to Caroline of Creation Durable for getting me involved and all of your help during the project!