by Martin Bailey | Apr 16, 2013 | Art Talk, Podcast, Workshops
Having finally uploaded my favorite shots from my visit to South Georgia and Antarctica to my portfolios site, today I’m going to talk about some of my favorites from South Georgia, and tell you a little about that wonderful place.
In November and December 2012, I was working with Aurora Expeditions, teaching photography to a small group of passengers on three consecutive expeditions, the first of which took us to South Georgia before we went on to the Antarctic Peninsula. We’ll get into Antarctica next week probably, but this week, I wanted to look at 12 images from the first voyage. I flew first to Santiago in Chile, then on to the Falkland Islands, and we then sailed for three days, 1,390 kilometers (864 miles) east-southeast of the Falklands to the beautiful Southern Ocean archipelago of South Georgia and the South Sandwich Islands.
If you didn’t already check out the 10 minute video slideshow that I released as last week’s Podcast episode, I’ve embedded the video into the top of this week’s blog post too. It might not be for everyone, but I’m happy with the way this video turned out. It’s full 1080p HD video too, so if you have enough bandwidth, hit the cog wheel in the player and watch fullscreen in the highest quality. Turn up your speakers too, as I matched the photos and video to a nice peaceful soundtrack.
To pre-empt a few of the questions you might have, note that there was no ice in the sea on the way to South Georgia, the footage we start with of the ship breaking through sea ice, was shot in Antarctica a few weeks into the expeditions. This was a little bit of artistic license on my part, but I thought it kicked off the video really well. From a photography project perspective, I’m finding more and more that I like to get some video footage as I travel, to really liven up this kind of presentation.
We’ll look at a few images in a moment, but I also wanted to mention that around six minutes into the video you’ll sea wonderful blue ship, called the Polar Pioneer. She’s an ice strengthened Russian vessel and was home for the five weeks I spent on these expeditions. It wasn’t the first time I’d traveled in the Poloar Pioneer, and I’m sure it won’t be the last. She’s a beautiful ship, full of character and fond memories.
I answered a few other questions on the original slideshow blog post, and I may touch on a few more when we talk about Antarctica, so we’ll leave it there for now. If you’d like to take a look, the blog post is at https://mbp.ac/367. Now let’s look at some of the photos from South Georgia.
This first image is the opening shot from the slideshow video. I was amazed at the size of the King Penguin colonies at Salisbury Plain and a few days later at Gold Habour. I’ve seen this sort of colony in documentaries, but I honestly hadn’t expected to see them on this voyage. The wider angle shots, a few of which I’ve included in my portfolio, don’t really do this spot justice. I found it better to get in a little closer, and use shallow depth-of-field to emphasize the number of penguins. This was shot with my 300mm f/2.8 lens stopped down just a little to f/4.
King Penguin Colony
As you can see, I’ve focussed on the young chick, but this is really about the group of adults walking and standing around. The colors of these magnificent penguins are absolutely stunning. The chicks are quite ugly really, looking a little bit like Cruella Deville, from 101 Dalmatians. Another thing the video and photos don’t put across is the smell. You get used to it, but a colony of penguins like this is pretty ripe. You’re clothes actually smell of rotten fish when you get back to the ship, but it’s all for a good cause.
This next image is from a few days later at a place called Fortuna Bay, where there are substantially sized Elephant Seal and Fur Seal Colonies. I remember feeling significantly afraid as I tried to get close enough to this guy to get the shot I wanted. I was with my friend Ade, who had joined the expedition, and we were walking up and down the beach, trying not to get trapped by the fur seals that can be quite vicious. There was also a slightly younger male elephant seal swimming around behind us, trying to find a spot on the beach, and this guy was partially reacting to him, and also reacting to me, to a degree, I’m sure.
The Morning After
The rule is that you aren’t allowed to get closer than 3 meters, or stand in places that cause these guys to change their behavior, but this guy was so vocal there wasn’t much chance of me getting any closer than this, which I shot at 420mm, this time at f/6.3, to get a little more of his bloody neck in focus than a shallower depth-of-field would have given me. Not super deep, but a nice balance of sharpness and pleasing background bokeh in my opinion.
The following day we spent a good chunk of time at Grytviken, an old whaling town that is now home to a museum, a church, and a small graveyard that houses the explorer Ernest Shackleton’s grave. The main group gathered around the grave as I was doing some long exposure shots, but as I made my way up to the grave later, I felt a huge wave of emotion at the braveness and determination of the man that did so much down here in South Georgia and Antarctica.
The legacy of the town though isn’t one us humans can be particularly proud of, when you see the wrecked Petrel, a whaler still with the harpoon gun proudly positioned on the now rusty bow that we can see in this photo. This is a longish exposure, at 25 seconds, so there’s a bit of cloud movement and the sea has pretty much smoothed over, but leaving a little bit of texture.
Abandoned “Petrel”
I like to use Nik Software’s Silver Efex Pro 2 for long exposures, and I have a few black and white shots from here in the set too, but for this shot, I liked the rust color and the greens in the rugged environment, so I enhanced the texture a little in Color Efex Pro 4. By the way, if you haven’t heard, Google have now put the entire Nik Software package of plugin’s out there for just $149! I’m not sure how long this will last, but at the moment, my code MBP15 is still active, giving you a further 15% discount, taking the price to a staggering low $126.65, so if you’ve ever thought about buying these plugins, now is a great time to do it. If you enter my short-link https://mbp.ac/mbp15 (Sponsored by Google) into your browser, the code should be entered for you automatically, but otherwise, try entering MBP15 on checkout, and see if that still works for you.
When you shoot as many images as I did during my five weeks at sea on these voyages, it can be a major task in itself just to work through your images and make your selections, so I try to keep on top of this as much as possible during my time in my cabin and on sea days etc. I spent a few more days going through my images at the end of December, after finishing a private tour that I did straight after getting back from Antarctica, and pretty much had my selection down by the start of this year.
One thing I love to do though, is to revisit the original RAW files a few months after a major trip like this, to see if there’s anything I overlooked in my initial frame of mind. I think we develop certain expectations while in the field, and they affect our editing decisions if we do them quickly after any particular shoot. This is why I like to leave my final decision on what to show people at least a week or so after the shoot, but it’s always great to look back six months or so down the road. As I was going to create the slideshow video and update my portfolio Web site, I didn’t wait quite six months, but I was close enough to go through this exercise before doing these recent tasks, and one of my favorite shots now is this next one, which I originally left out of my selection.
Grytviken Wreck
It’s another wreck at Grytviken, this time a 36 second exposure at f/14. Again, this is a Color Efex Pro 4 enhancement, as I wanted to keep the rust colors, and the green of the weed attached to the remains of the hull of the ship, as well as the red in the mountains on the other side of the bay. The two dark figures in the sea in the foreground are actually a couple of fur seals that where lying around as I made the shot.
I’m not sure why I originally didn’t like this. It was probably the iron structure on the beach in front of the wreck, as that still bothers me a bit now, but not enough to leave this out of the selection.
The day after Grytviken, we went to the second major King Penguin colony at Gold Harbour. This place again was incredible! It was here that I got another of my favorite shots from the trip, of a pair of King Penguins cuddling up. The tenderness in this shot really moves me. I was lucky enough to have witnessed this at a spot where there was a fresh water stream of melted snow running behind the penguins, so I could get some beautiful balls of sparkling bokeh in the background.
King Penguin Tender Moment
Surprisingly, I’d actually stopped down to f/9 for this shot, but because I was pretty close for 420mm, I still got a nice shallow depth-of-field. In fact, if I’d gone much wider at this distance, the background would have been so soft I’d have lost much of that effect, so it’s a fine line.
I wandered along the beach for a while too, and got some shots of the King Penguins going out to sea, and here’s one of them that I quite like. I cropped this down to a 1:2 aspect ratio, to emphasize the distance between the forerunner and the guys at the back. They often go out to sea like this, waiting for one brave penguin to go first, because if there are any predators in the area, it’s safer to go after someone else.
Testing the Water
It was another amazing day, that I didn’t think could get any better, and then, it started to snow, as you can see in this next image. You know how much I love snow, and this was just the icing on the cake for Gold Harbour. I was like a kid in a candy store, running back to some of the locations I’d shot earlier using the fine snow to effect. I shot this at f/8, again at 420mm, just singling out a group of penguins, but the compressing effect of the long lens accentuates the number of penguins in the colony behind this group and also enhances the effect of the snow in the air.
King Penguins in Snow
We went back to the ship at around 11am on this day, after a magical landing, and then in the afternoon went out for Zodiac cruise. With the fine snow still falling, I got this shot of an Arctic Tern in flight. These are small but truly beautiful birds, and again here, I love the feeling of suspension that the snow affords the image. The tern actually splays his tail feathers out like that when they are hovering and moving slowly, then fold them into a two pronged fork like a swift when they are flying at speed, so we can see here that he’s suspended to a degree. There’s wing movement though, even at 1/400 of a second and although that often annoys hard-core birders, I love to see a bit of wing movement in a shot.
Antarctic Tern
Towards the end of this Zodiac cruise, I shot this regal looking Fur Seal, again, in the fine falling snow. You often see just one or two fur seals up on the rocks like this, and I imagine they are guarding their territory, though I might be wrong. I actually learned to seriously dislike these guys while on this expedition. They will run along the beach to come and try to bite you, and a number of times, especially at Grytviken, I had to use my extended tripod to ward them off. We’re in their world of course, so I feel bad for feeling this way, but I wouldn’t be too concerned if I never got close to a wild fur seal again. Unfortunately, I believe there will be a colony or two in Africa when I’m there next month. Hopefully they’ll be better behaved than the ones we met in South Georgia. 🙂
Fur Seal in Snow
The last five images were all shot on November 17, and this was to be our last day in South Georgia before sailing down to the Antarctic Peninsula. The grand finale though, was a Zodiac cruise and then a wonderful sail around the Drygalski Fjord in the Polar Pioneer.
In this shot again I used Color Efex Pro to bring out the amazing texture in the sky and water. This is one of those shots that really needs to be viewed large though, as deep in the image, close to the horizon of the water to the right is a Zodiac and the Polar Pioneer. If you look close enough to the largest sized Web version of this (click to enlarge), you can see them, but they aren’t obvious at first. They give you an idea of the scale of this place though.
Polar Pioneer in Drygalski Fjord
The dramatic skies and grandeur of the Drygalski Fjord will make the couple of hours we spent cruising around on Zodiacs one of the fondest memories of my life. Again, it’s hard to do justice to the scene with a wide angle shot like this. However much you might get from this shot, believe me, it’s only a 100th of the actual awesome beauty of these locations.
Again, to me, the longer focal lengths capture the feeling of this place better than the wider vista. This next image, shot at 75mm showing the face of a glacier in the fjord with the magnificent rugged mountains behind, captures the spirit of Drygalski for me much better for me. As a highlight of South Georgia, the captain of the Polar Pioneer took us right up to the face of a vast glacier, and although in reality we were still a way off, it almost felt as though we could reach out from the bow of the ship and with a longish arm, touch the glacier directly.
Drygalski Fjord Glacier
Everyone on board knew that there was a certain amount of risk involved, but as the light faded at the end of our last day in South Georgia, with the entire passenger list congregated on the bow, I don’t think anyone was going to complain. It was another memory of a lifetime.
To finish with, let’s look at one last image, a sunset that I shot on one of the first days in South Georgia, as we sailed around the island to a new location, just as the sun poked through the heavy clouds. This is a slightly ore subtle use of Color Efex to bring out detail in the sky to the right of the sun, as I had exposed this to keep some details in the foreground water, allowing the sun to blow out but also letting the right side of the sky get pretty bright too. Using Color Efex I was able to balance this out, bringing the right side of the sky under control a little, and also bring out more texture in the bottom line of cloud as the dark area ends.
South Georgia Sunset
I’m going to finish with this shot as it feels like the end of this part of the voyage, and that is how I used this image in the video, before we move on to Antarctica. I also included a bit of video footage of the Polar Pioneer in a storm, shot from the bridge, on the highest deck, which is I think deck 6, and we still took had water from a wave washing across the bridge windows, so it’s quite impressive to see. I had the tripod taped to the hand-rail for that video by the way.
Anyway, that’s it for South Georgia. I expect to be back here in the coming years, hopefully with some of you, but for now, I have really enjoyed reliving the week in South Georgia through my photos, as I put the video together and updated my portfolio site. After this, we sailed for three days across the Drake Passage, arriving at Penguin Island on the Antarctic Peninsula, and were to spend three days, before heading back to Ushuaia in Argentina, ending the first of the three expeditions. We literally picked up a new set of passengers, and turned around and went back across the Drake, meaning I spent six days on the notorious Drake Passage between the first and second, and the second and third expeditions. Part of my job was to gather photos for a slideshow in the lecture room on the last night of each voyage, and gathering images for the ships log, so although crossing the Drake is like a weekend for the staff, it was a busy one each time, but a lot of fun too, seeing the photos that the passengers took.
Next week I’ll walk you through some of my favorite shots from Antarctica. If I can’t fit them all into one episode, we’ll run for a few more weeks, but I have other stuff that I want to move on to, so I’m not sure yet. Either way, if you are interested, do take a look at the video, and to see most of the shots at your own pace, the portfolio site is the best place to go. I’ve actually got the top page set up to cycle slowly through all of the South Georgia and Antarctica shots at the moment, so if you go full screen it can be quite an immersive experience.
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Show Notes
See my full gallery of South Georgia and Antarctica images here: https://martinbaileyphotography.com/portfolio/antarctica/
Or view the images full screen on the top page, for the time being, here: https://martinbaileyphotography.com/
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by Martin Bailey | Apr 6, 2013 | Podcast, Videos
For this week’s Podcast episode, here’s a slideshow of images from three consecutive expeditions to Antarctica and South Georgia, in Nov-Dec 2012, while working with Aurora Expeditions. Grab a coffee, kick up your feet, and make sure you have audio turned up. Once you’ve watched this, I try to answer some of the questions you might have below.
Oh, and this is full 1080p HD video, so if you have enough bandwidth, hit the cog wheel and make sure you’re watching the highest quality, and go full screen. The usual Podcast feed will download an iPhone optimized version via iTunes if you are subscribed.
First off, before anyone asks, no, there was no ice in the sea on the way to South Georgia, this was my artistic license. The initial footage of us breaking through sea ice was shot in Antarctica a few weeks into the expeditions.
The big blue ship that appears at around six minutes is the Polar Pioneer, the ice strengthened Russian vessel that was home for the five weeks I spent on these expeditions. It wasn’t the first time I’d traveled in her, and it won’t be the last. She’s a beautiful ship, full of character and fond memories.
What was my role on board? I was running the Photography Option, with a group of 10 to 12 photographers on each voyage. We did lectures while on board, and travelled in the same Zodiac so that A) we could spend more time photographing than other Zodiacs, and I could work with the group to help them with their photography, and B) so we didn’t annoy the hell out of normal passengers, that don’t typically use such long lenses and spend so much time on their photographs.
Why did I make a point of calling out “The Albatross” at Cape Horn? Here’s what’s inscribed on a monument down there:
“I, the albatross that awaits for you at the end of the world… I, the forgotten soul of the sailors lost that crossed Cape Horn from all the seas of the world. But die they did not in the fierce waves, for today towards eternity in my wings they soar in the last crevice of the Antarctic winds” – Sara Vial
Why did I include the shot of the dead elephant seal? Well, that’s life! Or death… I deliberated on this one, and I apologize if it shocked you, but these things happen. The first time we visited Elephant Island as we left the Antarctic Peninsula on the way back to Ushuaia, there were many baby elephant seals, maybe four or five weeks old, stuck in holes were they’d dropped through the snow, and couldn’t get out. We made a decision to help them, and released about 10 to 15, which hopefully lived. When we went back a second time, there were circles of dead pups, that had obviously dropped through the ice again, but no-one was there to help them this time. It’s saddening, even heart-breaking to see, but it happens all the time, and I felt fortunate to have witnessed this harsh truth, so I left this shot in.
The two shots after the dead seal are boilers or storage for whale blubber, at Deception Island. Something that we should not be proud of, but again, these are a legacy that we cannot ignore. There are a few shots earlier than that of wrecked ships. These are also old whalers that were run aground when they were no longer needed. It was apparently less expensive to just leave them down there than sail them back to their base countries to be broken down.
How did I get the end roll video? I lay on the anchor box at the front of the Zodiac, as expedition leader Don McFadzien navigated deftly around the sea ice. The resulting footage was bumpy as hell, as we roll over chunks of ice, but I stabilized the footage in Adobe After Effects, and the result looked almost as though we were flying over the surface of the sea, rather than sailing, that’s all.
What software did I use to create the slideshow? I used Boinx Software’s Fotomagico 4.2.1 to create the bulk of the slideshow, but although it’s easy to set out the slides and manipulate the animation/zoom effects, I can’t recommend this software to anyone, at all. It crashed constantly on my MacBook Pro Retina, and if I hadn’t invested so much time to begin with, I’m sure it would have been quicker in the end to just do the whole thing in Adobe After Effects and Premiere Pro. I created the end credit roll in Premiere Pro, because there’s no way to do that kind of scrolling credit easily in Fotomagico. Also, aligning audio in Fotomagico is like pulling teeth. Very tedious and painful. Unless you want just a very quick simple slideshow, look for other software. [UPDATE: Boinx Software just released a free app called SandboxCleaner that they say will prevent FotoMagico and other video and photo related software from crashing. I’ll use FotoMagico again soon and update you if it appears to work. Fingers crossed!]
Can I buy any of the images in the slideshow? Of course! For commercial use, go to www.offset.com and search for “artist: Martin Bailey”. For now, you’ll have to request an invitation, as the service is not fully public yet, but once you are in, you can buy and use these images commercially at a very reasonable price point. For prints, I’ve also just updated my Portfolios site, with 100 of these photos available for viewing at your own pace, and I’ve added these image for print sale here, under Antarctica. In the meantime, if there is an image that you would like a print of, but can’t find, just contact me with the time that the image appears in the video, and a brief description, and I’ll get back to you.
Am I doing any more Photography Expeditions to Antarctica? You bet, but nothing I can talk about right now. Subscribe to our Tour & Workshop Newsletter to receive information as it’s released. We will never spam you or share your information with third parties.
by Martin Bailey | Jan 4, 2013 | Art Talk, Musings, Podcast
It’s great to be back after the longest break since starting this Podcast back in 2005. Just four days off two months! For those of you that listened to me and stayed subscribed, thanks! For those of you that didn’t, let’s get back into iTunes and hit that subscribe button again. I’ve got some cool stuff on the way in the coming weeks…
With still way too many photos selected from my recent South Georgia and Antarctica expeditions, I’m going to need another week or so to whittle them down to a reasonable amount to upload and talk about the voyages, so this week, I figured I’d start 2013 with a Top 10 list of my best nature photos from 2012. This is my selection of course, and so it’s quite a personal thing, and may not include some images that you might like more. It also contains six new photos from my recent expeditions, and no less than four penguin photos, so I hope you like penguins.
Statistics & Process
I’ve talked about the process of whittling down a selection of images in the past, so I won’t go into much detail today, but to give you some statistics, in 2012 I shot a total just over 29,500 photos and video clips. From these, I selected just under 600 images to post to my web site, stock site and other social media networks. Around 450 of these were nature and wildlife photos, the core of my work, but the other 150 or so were images from photo walks, architecture and cityscapes, which are becoming a bigger part of my photography now, more than ever before.
When I took a scan through my 2012 images to prepare for this Podcast, I ended up with a short-list of 60 images, which is about 10% of my final selection for the year. Picking favorites is the easy part. It then took me almost a day to reduce the images down to just 10. I was originally thinking that I’d try to pick 10 favorites from the entire set, but it soon became obvious that I was going to have to select from just my nature work again. I might do another best 10 next week, to talk a little about my other work, for now, we’ll look at my nature and wildlife selection.
Even having made that decision though, getting rid of favorites images is agonizing. Zack Arias quotes a friend as saying ”It’s like lining up your children and deciding which ones you’re going to shoot”, and he’s right. Once I’d decided to go with just nature work, I got down to about half pretty quickly, but then it took hours to decide on my final 10. It even took me an our to decide which two of the final twelve I had to shoot.
2012 Best 12!
I have mentioned before though, that this is partly why I like to do this each year. It makes you look at your work with a very critical eye. A Top Ten list is pretty final, and although I sometimes sneak in a few special mentions, ten is ten, so the goal is very clear.
The other good thing is that I have actually been back from Antarctica for two and a half weeks now, and was traveling doing a private tour for a client here in Japan, so I had a good buffer between my most recent work, which helps to remove the emotion of the shoot. Even though, I’ve still ended up with more than half of this year’s work from the last two months, but I truly believe it’s some of my best nature work for the year, so here we go.
First up, here’s a little fella that you might remember from my trip to Okinawa in August. This is a simple photo, with a bulls-eyed subject, but this has stuck with me as a favorite for the year. I just like the warm, soft tones of the hermit crab and matching sand, and how we had this little moment of eye contact before he scuttled off down the beach. I’m kind of ordering these in a slightly ordered least to most liked, so this guy will hopefully be happy to have stayed in here.
Peekaboo!
Next up is the magnificent Steller’s Sea Eagle from last year’s Hokkaido tour and workshop. A few people said they thought it looked like I’d captured this guy flying high above the clouds, and once I heard that, I started to look at it the same way too sometimes, but it’s actually just flying a foot or so above the sea-ice in the channel between Hokkaido and the dispute Kuril Islands to the East. I reckon after the Red-Crowned Crane these incredible eagles are probably my favorite bird, and this year’s only representative Japanese bird in the top ten, as it was hard to beat my crane shots from 2011.
Surveillance
We jump now to South Goergia, for a look at a battle-scared and almost hung-over looking Elephant Seal Beach-master. These guys are around 5 meters long and way up to 3 to 4 tons! They can move pretty quickly though, and you do not want to get in their way, so although this might look like a fun shot, I was more than a little nervous as he reared up and started to bellow at me. They apparently rarely attack, and the baby elephant seals are absolutely adorable, but they are still pretty scary when you are relatively close to them, especially when you are between them and the sea, on a downhill slope.
The Morning After
Back to Okinawa now for a shot that we’ve looked at before, where I spent a little time figuring out the optimal shutter speed to show the water flowing just enough to show the entire wave crashing on the rocks, before it followed through and the effect was lost. The shutter speed was exactly one second, and this has remained on my desktop background for most of the rest of the year since I shot it in August. This year has seen a number of firsts, not just in my first visit to Okinawa, but also the first time for a long time that I’ve spent any quality photography time in warmer climbs. You know that I kind of specialize in shooting in cold places, and I still prefer to be able to rug-up to stay warm, rather than trying to peel my skin off in hot places, but I had a great time, and can see it happening more in the future.
Rocks at Sukuta
Back to my element now though, with this photo of some monumental icebergs in Cierva Cove, Antarctica. These are basically huge slabs of ice-shelf that have broken away and become sea-born. Apart from the almost perfectly spherical whole in the back berg, there isn’t much special about the slabs, other than their sheer size. I have lots of other iceberg shots, as you can probably imagine, but I love the way the clouds, and even the sea appear to be flowing from or even towards the main berg here, as though it’s mass is giving it its own gravity or something, like a black hole.
Monumental Icebergs
A month before the above Antarctica photo, I was in South Georgia for the first time, and had a wonderful time shooting the incredible wildlife there, but without a doubt, one of my favorites was the King Penguins. I got lots of portraits and studies of four different kinds of penguins, and although I ended up removing my second favorite, the Chinstrap portrait from this top ten, we’ll see another King Penguin shot in second place as well. I just love these big penguins, and that beautiful splash or golden-orange around their necks.
Conformity
Here I just put my trusty 300mm f/2.8 lens on and framed this shot with the aperture wide open, looking for a composition that just showed these guys all hanging out, preening and going about their business. I have another shot that I love after this, where it started to snow, and you know how much I love snow, but in this shot, I just really like the way that one guy just right of center almost looks like a Japanese businessman in a crowd, maybe waiting for a train to arrive, as the guy in front practices his golf swing or something.
The Adelie Penguins are pretty cute too, and these three on top of a small iceberg kept us amused for five minutes or so as we circled the berg in our Zodiac, shooting them from many different angles. Here they almost look like the first three frames of a multiple exposure of a single bird about to dive into the water. Again, a relatively simple shot, but I like the contrast between the foreground snow, the black and white of the penguins, and then the blue-grey sky in the background. This is one that I’m really looking forward to printing and holding in my hand before too long.
The Three Adelies
Three more penguins here again, but this time they’re Gentoos. Again, I’ve got some lovely studies of these guys, especially a wide open aperture shot of a Gentoo that came right up to me, all curios as to what I might be doing on his rock at 10:30 at night. They are certainly images we’ll be looking at soon, but for my top ten, I’m trying to include something with a bit more of a twist, such as these three in almost perfect synchronization. They were just hurrying along a penguin path, coming towards me, but they just look so comical here, almost like when dancers or performers hide behind each other, then rotate out and around to form a bit of an optical illusion.
Syncronized Gentoos
Here’s that second place shot of the King Penguin pair that I mentioned earlier. The stream in the background was catching the light to give me those perfect little beads of bokeh, even with an aperture of f/9, because I was shooting with the 300mm f/2.8 lens and 1.4X Extender here, so 420mm focal length, which of course gives a very shallow depth-of-field when focusing on something close. I just love the tender moment these guys were sharing though, as the male reaches over from behind the female, and draws her head into his chest with his beak. They actually mated straight after this, which I also photographed, but I was started to feel a little voyeuristic after this display, so I decided to go with the tender moment instead. And of course, I believe this is the better photo. 🙂
King Penguin Tender Moment
And finally, in first place of my 2012 top ten nature shots, is this image of the five Snow Monkeys, from February 2012. This has remained my favorite image through the entire year. The texture in the fur, the authoritative stare of the guy to the right, the shy, almost timid look of the monkey to the far right, and the totally disengaged monkey on the left fascinate me. Of course, the baby monkey being shielded from the cold by the two center monkeys is the main story here, although they are actually warming themselves up with the young one as much as they are protecting him. The way he looks out from his little hiding place though, all safe and warm but with a little apprehension is what makes this for me.
Five Monkeys
So, that’s it! My 2012 Top Ten nature shots. I’ve enjoyed the process of deciding on what to include, and learned a few other things about my work at the same time. One thing I haven’t touched on yet is that although I consider both wildlife and landscape shots to be my nature work, I find almost without doubt, however spectacular the landscape, it was very difficult to keep many in my selection. This tells me that although I enjoy landscapes, I’m certainly gravitating towards wildlife more, and I really do enjoy showing animals in their environment, if possible doing something special or showing some characteristic. I still love the simple composition, and will go for a plain white or monotone background over a cluttered one every time. I didn’t really realize that I was gravitating toward wildlife so much though, until I tried to remove these images. Or maybe it’s just that things with eyes are more difficult to distance yourself from.
If you have time, I really recommend doing your own Top Ten set of images too, and if you do so, please do post a link in the comments on this blog post. I’d love to see what you came up with too, and let us know what you learned from the experience as well.
I will probably do that top ten of images from my general work, just to do the exercise and to share that work with you too, but this is certainly what I consider my most representational work from last year, and I hope you enjoyed walking through it with me.
Snow Monkey & Hokkaido Tour Availability
A couple of bits of housekeeping before we finish – today we had a cancellation for the Snow Monkey & Hokkaido Tour and Workshop from February 18 to March 1st, 2013. This is the one that we are honored to be joined by my friend David duChemin, the best selling author and creator of Craft & Vision. It’s a great way to experience the Snow Monkey’s, Red-Crowned Cranes, the majestic sea eagles and swans, and other wildlife and landscape of the Japanese winter. It’s also a great cultural experience, not to mention that you’ll learn a lot about shooting wildlife and working in winter conditions, as well as spending time with David and I in the Winter Wonderland. Details can be found on my Tour and Workshop Web site at mbpworkshops.com.
Don’t Touch That Dial!
Also, a quick word on the Podcast schedule for the next few months. I intend to release at least four episodes in January, and maybe even more if I can make time, as I really want to make up for the very light release schedule since I started all my traveling in September last year. Of course, I will be away for two weeks at a time for the two Hokkaido tours in February, but am going to try my best to release two episodes in the 9 days I have at home between the two tours. Then in March and April I will again be releasing at least one episode per week, if not more as time allows, so please do keep that subscription live, as I have no intention of stopping doing this Podcast. If ever I did decide to stop, I’ll go out with a bang, not just fizzle out, so you’ll know about it.
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Show Notes
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