Morocco Slideshow Video (Podcast 628)

Morocco Slideshow Video (Podcast 628)

For this week’s post, I’ve produced a video to showcase Morocco, containing fifty-something images from last year’s Tour & Workshop that I ran. As I’m running over time-wise, as is often the case when I create the music too, I’ve put a small version of the video in the Podcast feed, but the full-sized 4K version is below for you to check out.

As usual, the music is a bit rushed, but it should complement the video, so grab a cuppa, turn up your speakers, and sit back for a four-minute tour of Morocco!

Morocco Portfolio

You can also view most of these photos at your own pace in my Morocco Portfolio if you are interested. 

2018 Morocco Tour

We have actually had a few cancellations for this year’s Morocco Tour & Workshop, so if you might like to join us in November, check out the tour page here: https://mbp.ac/morocco

Morocco Tour & Workshop 2018


Show Notes

See details of our Morocco Tour here: https://mbp.ac/morocco

Music by Martin Bailey

Subscribe in iTunes for Enhanced Podcasts delivered automatically to your computer.


Martin’s 2017 Personal Top Ten Photographs (Podcast 603)

Martin’s 2017 Personal Top Ten Photographs (Podcast 603)

Following on from my selection process episode last week, this week I’m going to tell you a little about each of my personal top ten favorite images from 2017.

We’ll work through my top ten in chronological order, starting from January and working through the year. My first image was a bit of a surprise for me, as I wasn’t all that fond of this image when I first shot it, but it quickly grew on me. 

Magical Forest

This image (below) is from my Hokkaido Landscape Photography Adventure Tour. Weather permitting, I’ll actually be at this same location just a day or so after releasing this episode, and I can’t wait to get back there. This particular spot is just off the ski slope at Mount Asahi in Hokkaido. A beautiful place to ski as well as to photograph, although we are careful not to get in the way of the skiers. 

Magical Forest

Magical Forest

I shot this at f/14 for a 1/50 of a second, at ISO 100. Pretty much my default settings for when I’m working on a tripod. I think one of the things that prevented me from liking this image initially was that I had to compromise my composition because of foreground objects and the fact that I shot this from the other side of a small brook. I’d ideally wanted to go just a little bit wider and include more snow down in that trough in the center foreground, but that would have meant including some hazard warning poles and something else as well, and I obviously didn’t want to do that.

It’s funny because this is the reverse of how we sometimes find it difficult to remove images from a selection because of the emotional attachment that we generally have for a while after a shoot. In this case, I’d had a slightly negative emotional reaction caused by the fact that I had to compromise my preferred composition, but as that wore off over time, I found myself liking the image for its artistic merit, unhampered by my feelings from when I made the photograph.

Revisit Old Shoots

I’ve found this to be the case when going through images from old shoots too. We finish a shoot with certain expectations. It’s still fresh in our mind and we have a shortlist of images that we think went well, and give preference to finding and processing these images, and tend to skim over other images a little less enthusiastically.

Again though, if you go back and look through your old shoots with fresh eyes if your creativity was engaged, you’ll sometimes find that there are images in your set that are pretty good but you ruled out initially because of your fresh expectations. It’s because of this that I like to set aside some time every so often to look through images from six months to a year ago. It sometimes turns up some pleasant surprises.

The Catch

Moving On, this image (below) is from my Snow Monkeys & Hokkaido wildlife tours. Specifically from the small fishing town of Rausu on the Shiretoko Peninsula, where we spend three days photographing the sea eagles. This is a White-Tailed Eagle having just caught a fish. In actuality we through the fish into the water, and quite often they are flatfish, which don’t usually swim near the surface, so I like this mostly because it’s a regular looking fish and we can still see the splash of water as well as the reflection of the eagle.

The Catch

The Catch

I cropped this down from the top edge to a 16:9 ratio image, mostly because there wasn’t anything interesting at the top, but also because it made it feel more dynamic with movement from left to right being forced into a narrower space. My settings for this were ISO 800 at f/10, with a 1/1000 of a second shutter speed. For more information on my settings and techniques for using long lenses for this kind of fast-paced focusing etc. please take a look at my podcast episode 584.

Himba Smile

Next, we go from the wintery sub-zero temperatures of northern Japan to Namibia, when I visited a Himba settlement with my Namibia tour group. Without a doubt, one of my favorite images from the 2017 visit is this young Himba girl that I’d also photographed in 2015. It was amazing to see how she’d grown and was turning gradually into a young woman. I’m really hoping to be able to photograph her again this year when I return.

Himba Smile

Himba Smile

This Himba are an amazing people with beautiful culture and traditions, so it’s always a pleasure and a privilege to photograph them. I shot this at ISO 5000 inside one of their huts, to get out of the harsh sunlight. I had set my aperture to f/5.6 and my shutter speed to 1/80 of a second.

In my post-processing, I darkened down the background and added a vignette to focus our attention on the face. I exposed the image so that the white of her teeth and eyes were just starting to overexpose, and that helps to keep grain away in the dark areas, even at ISO 5000.

Lone Wildebeest on Plain

I also visited the Etosha National Park in Namibia for my first time in 2017. With a few hundred wildlife images to choose from, I found it difficult to remove many of them from my final selection but felt strongly that this shot of a wildebeest (below) should stay. It’s not a dynamic or powerful shot as such, but something about the stance and calmness of this image really appeals to me. 

Lone Wildebeest on Plain

Lone Wildebeest on Plain

As I also mentioned last week, it was only as I revisited my Namibia wildlife work from this year that I really thought about converting this to black and white. I do a lot of black and white and have done monotone wildlife before too, but for some reason when processing my Namibia work it had never really appealed to me, until last week, when it hit me like a sledgehammer. 

As is often the case, removing the color enables us to concentrate more of the form of the subject, and I love the texture and gradation in the mane of this magnificent animal, as well as the way black and white makes the wildebeest stand out so much, almost as though it has been superimposed onto the photograph. My settings for this image were ISO 400 at f/11 for 1/640 of a second. I was using my Canon 100-400mm lens with a 1.4X extender attached for a focal length of 560mm.

Colorful Fes Alleyway

I also ran my first tour in Morocco in 2017, and have absolutely fallen in love with this beautiful land and her people. Many of the places we visited had places where the locals had taken pride in decorating their town, like this beautifully painted alleyway is Fes (below).

Colorful Fes Alleyway

Colorful Fes Alleyway

Because the local people don’t like having their photos taken without permission, which they rarely give, sometimes the best way to include people in a shot like this is to capture them while they are still so far away that they’re quite small in the frame, as I did here. This works fine, as it enables me to add a human element, but also leave lots of room for us to see the beautiful colors.

Although it was a clear day, the draped cloths and Moroccan flags cut out enough light that I needed an ISO of 2500 at f/11, for a shutter speed of 1/320 of a second. For much of this tour, with there being quite a lot of street photography, I forced myself to use Aperture Priority and set a minimum shutter speed of 1/250 of a second, so that I could freeze any sudden movement in the subjects when necessary. I could have used a slower shutter speed and ISO here, but there often wasn’t enough time to override my settings or drop back into Manual mode, especially as many of my shots had to be grabbed before the unaware subjects got much closer than this.

Camels and Handler in Sahara

While in Morocco I arranged for a shoot in the Sahara Desert with two camel handlers each with five camels. My group actually rode these camels into the desert, which was an experience unto itself, but it was such a treat to be able to photograph these people with their animals like you see in this image (below).

Camels and Handler in Sahara

Camels and Handler in Sahara

I was happy with the location that I asked the camel handlers to stop at, with this beautiful view of the sand dunes as a backdrop. I did clone out a number of patches of vegetation from the distant dunes, to clean this up, but I’m very happy with the results. 

I used my 24-105mm lens on one body and my 100-400mm lens on a second body so that I could quickly switch between the two. I don’t mind changing lenses in the desert, despite the dust. In fact, I didn’t expect to use the 100-400mm until we actually started shooting, so I put the lens on to the body while out there. Unless there is a lot of wind, generally you can get away with a lens change, especially if you turn your back to any breeze and shield your camera with your body.

My settings were ISO 800 at f/10 for a 1/250 of a second, at 200mm. Again, I was using Aperture Priority here and was actually getting quite comfortable with it by this point. I continued to use Aperture Priority because as you’ll see a few photos from now when we panned around to the right of this scene, we were shooting into the sun and then later the sunset, and Aperture Priority helped to adjust the exposure as we switched from regular lighting to silhouettes. 

Camel Handler with Camels

This next image (below) is another one that sort of grew on me. I was excited when shooting it, and thought it had potential, but I didn’t think for a moment that it was going to make my top ten for the year until I started to go through my Morocco images time and again during the process of whittling down my selection. Every time this image flashed up onto the screen, it brought a smile to my face.

Camel Handler with Camels

Camel Handler with Camels

I don’t know if it’s the Lawrence of Arabia type appeal, with the camel handler in his headwear, or the way this man carries himself, just sitting in the sand that he’s so familiar with, and his five camels standing patiently behind him. I found Morocco to have a wonderfully romantic and poetic air to it, that moved me quite deeply, and I sense a lot of that in this image, so there was no way I could remove it from my top ten selection.

Again, still using an automated mode, I could have switched to a slower shutter if I’d taken control, but it took a lot of work for me to get used to giving up that control during my Morocco tour, so while it made sense, I stayed in Aperture Priority, and so this image was shot at ISO 4000 at f/11 for 1/320 of a second, at 200mm. No big deal really either. The image is as clean as can be, so I have no regrets.

Camel Silhouettes at Sunset

I tried really hard to remove one of my two camel train images from my top ten as well, but I love both of these shots so much, that they both had to stay. I shot this second camel train image (below) as the sun started to turn the sky firey-red and the wispy clouds were making beautiful patterns in the sky. These natural phenomena were a perfect backdrop for our camel handler as we marched him all over the dunes to get our photographs.

Camel Silhouettes at Sunset

Camel Silhouettes at Sunset

I shot this at ISO 500 at f/10 for 1/320 of a second at 35mm, so a lot wider than the first camel train shot. Because I was now shooting into the bright sky, the Auto-ISO dropped down to 500, keeping my shutter speed at 1/320 because I’d set a minimum shutter speed of 1/250 of a second, and I think I had +0.3 of a stop Exposure Compensation dialed in, which is why the actual shutter speed increased by a third of a stop.

Moroccan Man in Well

As we left the Moroccan Sahara to continue our journey, our wonderful guide had our bus driver pull in to a sandy patch of land with what looked like a series of adobe turrets built at intervals across the land.  It turns out that there is an underground irrigation channel with wells inside each of these turret-like structures, and when you go underground through a door in their base, you can actually walk into the underground canal. 

We were guided into the tunnel by the man you see in this next image (below) who graciously posed for us, looking up into the light pouring down into the darkness from the mouth of the well.

Moroccan Man (Karim) in Well

Moroccan Man (Karim) in Well

Taken a little by surprise at this photographic treat, I lowered my exposure compensation to -2.0 to prevent my camera from making the man’s blue garments over-expose due to the very dark background, and also give to give me a 1/40 of a second shutter speed at f/4 in the very low light, even though my auto-ISO had reached the limit I’d set, which was 6400.

I absolutely love this shot though, and although I’m not really much of a people photographer, I think this and the final image that we’ll look at in a moment are my favorite photographs of my top ten for 2017.

Moroccan Man in Adobe Building

In the final image, we see a proud man that lives in an ancient ighrem or fortified village, called Aït Benhaddou, and his families home was built around the 15th or 16th century. An incredibly generous gentleman, he invited our tour group into his home for tea, and then came with us outside, into a nearby building with an opening in the roof, so that we could photograph him in this amazing light.

Moroccan Man in Adobe Building

Moroccan Man in Adobe Building

Again, because of the low light, I opened up my aperture to f/4, as wide as it goes for my 24-105mm, and still had to shoot this at ISO 6400 for a 1/60 of a second exposure. There’s virtually no grain in the image though, as I exposed it so that the whites were bordering on overexposure, which helps to stop the shadows getting too dark, and it’s the shadow areas that become more problematic if you don’t protect them.

I feel incredibly fortunate to have been able to visit Morocco for the first time last year, and I’m hoping that we’ll get enough people sign up for the 2018 tour to make it possible to visit again. It’s a magical country with beautiful people and a sense of poetry that I honestly wasn’t prepared for. 

As I spoke with our guide towards the end of the 2017 tour, he told me that 2018 would be even better, because, in his words, “Morocco is in your eyes now”. This might not seem very special, but it’s this sort of turn of phrase and philosophy that can reel me in and make me love a country and her people like nothing else.

Share Your Own Work

There was a great response to my call for you to share your work at the end of last week’s episode, in which I discussed my selection and editing process for this top ten. I’d like to invite those of you that have not yet posted a link to take a moment to share your own top ten in the comments for this post (below).

If you haven’t selected your own top ten, I really do recommend setting some time aside to do this. It helps to hone various skills that help us to become better photographers, as well as enabling us to put a stake in the ground at the end of each year, and that builds into a great visual record of our progress as we continue on this wonderful journey of our, into 2018 and beyond.


Show Notes

Previous Top Ten posts: https://martinbaileyphotography.com/tag/top-ten/

Music by Martin Bailey


Audio

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Download this Podcast in MP3 format (Audio Only).

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Morocco 2017 Tour Travelogue Part 3 (Podcast 597)

Morocco 2017 Tour Travelogue Part 3 (Podcast 597)

Back from Morocco, we continue our travelogue series today to walk you through the trip, picking up the trail in Erfoud, a beautiful little town on the edge of the Sahara.

Musician in Erfoud

Musician in Erfoud

Erfoud Musician

We’d spent the morning in a local market photographing the people there, like the young man selling scarves, that we saw at the end of part two of this series. We then went for lunch, after which three musicians came into the courtyard where we were to sing for us. We see one of them in this first photograph for today (right).

Although there is an obvious tourist attraction element when these musicians play for us, I actually really enjoy it. Their songs and melodies are a great way to really feel the culture of a place. I shot some video on my iPhone that I’ll include in a slideshow perhaps at some point, but for now, listen to a short excerpt from their song, to hopefully put you in the moment a little better.

[Listen with the audio player at the top of the post to hear the music]

Perhaps the music wasn’t quite what you were expecting from the photo, but hopefully, it gave you a better sense of the atmosphere. This is a typical rhythm too, with the Krakebs, which are a type of metal castanet, making that distinctive sound like a galloping horse.

The light was also somewhat challenging in the courtyard, as there were lots of small holes in the vine above, so I exposed the image to ensure that these spots didn’t blow-out, and then I increased the shadows to around 70 in Capture One Pro to bring back the shadow detail. I find this works better than allowing the highlights to blow-out and then bringing them down, because once the detail is lost in the highlights you end up with just a white spot, regardless of how much you try to recover it.

After lunch, we were met by our 4×4 drivers, and transported into the desert to our camp for the next two nights. The luxury tents weren’t quite as luxurious as they promised to be, although very nice to say we were in the Sahara, and the sand dunes near to our camp were a little bit of an anticlimax. This is one of the problems with a first-visit trip planned on paper, but also the reason why I priced this first tour as I did. 

Sahara Sand Dunes

I had been told that this was a great camp because it wasn’t teaming with tourists, but there is a reason it’s not teaming with tourists. It’s because it’s not very interesting. We took a walk into the dunes behind our camp, and photographed as the sun went down, but the relatively small dunes were scattered with clumps of grass that made them very unphotogenic in my opinion. I would fix that for the following day with some adjustments to our plan, but for now, the following photograph is one of the few images I was somewhat happy with from this shoot (below).

Sahara Dunes

Sahara Dunes

Because the larger scene wasn’t that pretty, and because I often do this anyway, I decided to zoom in capture some details. I shot this at 400mm with my 100-400mm lens, and just showed the layers of sand, with the ripples from the wind, and kind of made a bit of an accent out of one of the clumps of grass that was for me at least, pretty much spoiling the location.

I was in two minds as to whether to go back out at dawn, but it’s not every day you wake up in the Sahara desert, so a few members of the group and I went back out the following morning, using flashlights initially to navigate our way back into the dunes. The soft morning light just about makes this particular scene (below) bearable for me to show you, and hopefully, this will also give you an idea of the scale of the dunes.

Sahara Dunes at Dawn

Sahara Dunes at Dawn

I kind of like the rosy orange color here, and the undulating lines are nice too, but if I didn’t need to show you where we were, I’d probably never show this photograph to anyone. At least at dawn though, the angles where there wasn’t so much grass were a little more photogenic, making the location a little more bearable.

Nomadic Lady

Sahara Nomadic Lady

Sahara Nomadic Lady

After breakfast, I changed our plans and arranged for the 4×4 vehicles to come and take us to a different area, with the promise of better dunes. We adjusted our plans to have some camel handlers in the new area, and set off, initially visiting a nomadic family, where I photographed this lady in the shade of structure next to the main cabin. 

This lady was difficult to photograph, probably somewhat shocked to have a group of photographers turn up on her doorstep in three 4×4 vehicles, it was a nice little stop.

As we’d become conditioned, we paid her a tip for her time, and just as we were about to leave, and the other two cars pulled away, and we were just saying that in Namibia we take more practical supplies to these people, then our driver got out and gave her a case of water and some butter.

Although not always possible, or even necessary, this seemed a much more appropriate way of thanking this lady for her time and cooperation, and I would imagine much more appreciated.

White Turban Musicians

After this, we drove through to a town on the other side of the dunes from where we’d stayed and stopped for a restroom break at a little oasis, where we found some wonderfully charming men to photograph.

To make it easier to format the blog post, I’ve created a tryptic of my favorite three images (below), rather than adding each image individually. I had the gentleman on the left stand in front of the Moroccan flag on the wall, making for a very striking background and wonderful contrast between the red and the white of his turban.

Three Moroccan Musicians

Three Moroccan Musicians

The light was beautiful, with the men in the shade, but a very brightly lit courtyard behind us, so they each have really nice catchlights in their eyes, and the light is much less contrasty than if we’d had them stand in the sun. I opened up my aperture as far as it would go, which is f/4 on my 24-105mm lens, and that gave me just about the shallow depth of field that I was hoping for at this distance. 

Photographer’s Friend Pixel Peeper Mode

Using my app Photographer’s Friend in the new Pixel Peeper mode, I was able to calculate that I had probably around 1cm or 0.35 inches of totally sharp depth of field, and on inspection at 100% on the computer screen, that looks pretty accurate, although you’ll think the depth of field is a little deeper when viewing the web sized images. With the Pixel Peeper mode turned off, Photographer’s Friend reports around 2.5 cm or one inch of depth of field, which is probably closer to what you’ll see here, so I’m pretty pleased with the calculations and having the options to quickly switch now. For more details on the Pixel Peeper mode that I just released last week, see the Photographer’s Friend page here.

Camels in the Sahara

After a long relaxed lunch to burn off the midday sun, we headed back out in the 4×4 vehicles and photographed the oasis, before meeting with our two camel handlers, and actually riding the camels into the desert to photograph them. As you can see (below) on this side, the dunes were much more, well, dune-like, and having the camels and their handler to pose for us made this a great opportunity.

Camels and Handler in Sahara

Camels and Handler in Sahara

The dunes weren’t perfect, especially in the wider view, but I thought this scene was worth spending a few minutes to clean up some of the clumps of grass from the original image, just to polish this a little. I used both my 24-105mm and 100-400mm for this shoot, and for this, I was working with a focal length of 200mm, to isolate the subjects and to compress the elements of the scene a little for a more dramatic look.

Although I directed the shoot, as far as where we stopped, and where the camel handler walked for us, being accustomed to having his photograph taken like this, when there was a pause in the shooting, the camel handler wrapped his headwear around his face, and sat in front of his camels for this next photo (below, left).

Camel Handler with Camels

Camel Handler with Camels

Camel Handler Sitting with Camels

Camel Handler Sitting with Camels

I was thinking it was quite a nice pose, and then he had the front camel sit and he leaned against it, for this second shot (above, right). He also laid down for a third pose, but I prefer these first two images. Both of these were shot around 200mm, and I stopped down the lens to f/11, so that the camels were also relatively sharp. In the shade at this point, that gave me an ISO of 4000, although there’s no grain in the images because I was exposing them with the information over on the right side of the histogram.

This next photograph (below) is one of my favorites from the entire trip, as we had the camel handler walk the camels around and over the brow of a dune to the right of where we were standing. As you can see, there was now a little red in the sky too, as the sun neared the horizon. 

Camel Silhouettes at Sunset

Camel Silhouettes at Sunset

I allowed this image to go to near silhouette, but I decided not to plug up the shadows complete, so you can still see a bit of detail in the animals and this side of the dune. Due to how tightly the camels were tied together, it was actually more difficult than I’d hoped to get a shot where there was separation between all of the camels, but this is one of them, which contributes to my reasons for making this a favorite. I shot this at 35mm, with the aperture set to f/10, and my ISO was at 500 for this image.

Color-wise, this next image is much better, but there isn’t any separation between some of the camels here, and I’m sure you’ll agree that this kind of messes it up a bit. Still, I’m happy with these shots on the whole, and the group was probably the most excited that I’d seen them as we worked this location. You probably can’t tell as this is now almost complete silhouette, but this is a different camel handler, in blue, as opposed to the white clothes of the other handler.

Camels with Saharan Sunset

Camels with Saharan Sunset

OK, so as the sun goes down in the Sahara, we’ll start to wrap it up there for today. I have another 10 shots or so that I’ll share with you in the concluding episode of this travelogue series, probably next week. 

Morocco 2018

Join us on the 2018 Morocco Tour from Nov 12 – 23! For details and to book your place, please visit the tour page.

Morocco Tour & Workshop 2018


Show Notes

Subscribe to our Tours & Workshops newsletter here: https://mbp.ac/news

Music by Martin Bailey


Audio

Subscribe in iTunes for Enhanced Podcasts delivered automatically to your computer.

Download this Podcast in MP3 format (Audio Only).

Download this Podcast in Enhanced Podcast M4A format. This requires Apple iTunes or Quicktime to view/listen.