Loading 120 Film Video Screenshot

Loading and Unloading a Yashica-D TLR Camera with 120 Film (Podcast 475)

Today we kick off a mini-series of Film Fun videos, in which I'm going to walk you through my first experiences in using and processing ILFORD black and white 120 medium format film. I'm recording this brief audio introduction for release today, to let you know what's happening, but for the following weeks, I'll just release a small iPhone version of the video instead. Please come to the blog to view the full-sized videos and get links to the products required to develop your own film etc. If you'd like an email reminder when the following episodes are released, please...

Thank you for visiting! To help us to continue to provide quality posts and photography inspiration we are asking visitors to pledge a Patreon contribution of $3 or more to unlock the full text of more than 750 posts. The Podcast itself is and will always be free, so you are welcome to listen with the above player and follow along with the images discussed below. However, if you value what we do, please consider supporting us with a Patreon pledge.

There are also higher tiers with community access, monthly desktop wallpaper images, eBooks and a monthly Patron-only live Question Time event. There is even a Mentorship program if you want to take your photography to a whole new level. Of course, all tiers unlock all posts, to please click the Patreon button below to view details. Thank you for your support!

Become a Patron!

Existing Patrons please login with this button to unlock posts and access benefits. Thank you for being awesome!

Image Gallery

To view this content, you must be a member of Martin's Patreon at $3 or more
Unlock with Patreon
Martin Bailey
Martin Bailey is a nature and wildlife photographer and educator based in Tokyo. He's a pioneering Podcaster and blogger, and an X-Rite Coloratti member.
  • Charlie
    Posted at 01:03h, 09 June Reply

    Cool to see you with a Yashica D. I got a Yashica-Mat around Christmas. I love the square format for a lot of my prairie photos. I’m mainly use my digital camera but I find shooting with the old Yashica is getting addicting. I only shoot color and bring the film to a lab for developing. It will be great to see you develop some back and white.

    • Martin Bailey
      Posted at 10:25h, 09 June Reply

      Thanks Charlie! I actually got the Yashica-D from a flea market. The guy assured me that it worked, and he was not lying. ๐Ÿ™‚ I’ll perhaps take a look to see if there is anything else similar available in town at some point too, but for what I paid, I’m happy with my current Yashica.

      I looked into developing color slides, but the chemicals are controlled here and not really worth the trouble. I might get some color negative chemicals at some point too. We’ll see how much this whole film thing pulls me back in. ๐Ÿ™‚

      • Charlie
        Posted at 04:05h, 10 June Reply

        That’s a nice find. My camera was a fair price but not cheap. Maybe on the more expensive side since it has been roughed up a bit and then repaired. The timer button and the bottom corner paid a price. But it gives it character ๐Ÿ™‚ Well if you do get into processing color negartives I’ll be watching. I’m not into color slides…the yashica-mat doesn’t have what you could call precise exposure adjustments. Thanks again ๐Ÿ™‚

  • Jason
    Posted at 10:58h, 10 June Reply

    Dammit! You had to do this! Now I’ve got my Minolta Autocord out. Time to get some film out of the freezer. ๐Ÿ™‚

  • Don Davidson
    Posted at 11:41h, 21 June Reply

    I enjoy your podcasts, thanks. If you haven’t already discovered it, check out the film photography podcast. They discuss a lot of interesting film types that are available which can be part of the fun of playing with old film cameras. My current toy is a Mamiya 645.


  • Tom Kostes
    Posted at 07:12h, 22 June Reply

    Yashica D was my first serious camera, many years ago. Used to spend all night printing in my kitchen with my wife. What fun! Love digital now, however, where i have full control of my color images (as well as B&W) without the chemicals.

Post A Comment