Really Right Stuff L-Plate for Canon EOS R5 and R6 (Podcast 728)

Really Right Stuff L-Plate for Canon EOS R5 and R6 (Podcast 728)

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Canon EOS R5 with Strap Attached by Really Right Stuff L-Plate and Quick Detatch Loop
Canon EOS R5 with Strap Attached by Really Right Stuff L-Plate and Quick Detatch Loop

As we say goodbye, or perhaps more aptly, good riddance to 2020, I just took delivery of the L-Plate that I’d had on order with Really Right Stuff, and I also included a few other handy accessories in my order, which I’m going to share with you today, as I build out my system for carrying my cameras as well as supporting them on a tripod. The Really Right Stuff team continues to make excellent products and they definitely aren’t simply sitting on their laurels when it comes to innovation, as you’ll see.

One of the biggest innovations with their current line-up of brackets is the addition of a whole called a QD Socket that houses their Quick Detach Strap Swivel Loops, and they facilitate the quick attachment of a camera strap, which, coupled with the Peak Design straps that I use, enables me to create a sling configuration for both long and short lens scenarios. I love being able to do this so much, that we might as well start with a photo of my EOS R5 with the new L-Plate attached, and a QD Strap Swivel D Loop attached so that you can see how this positions the camera when slung over the shoulder. Having the camera slung in this position puts the camera’s grip straight into the palm of my hand when I’m ready to raise it to my eye.

Click of tap on the image to open it up in the Lightbox to view it larger, but note here that the lens is hanging down, not straight out as it does when you hang the camera around your neck supported by a strap attached to the built-in strap lugs. This is important because it not only means the camera falls more comfortably into your hand, but it also makes it less likely to bang the camera and potentially the front of the lens as you walk around.

I should mention that as I’m paranoid about things potentially going wrong, I do occasionally check to ensure that the lens is not working loose, but I’ve never noticed a lens doing that. I did have the body fall off the lens when using a Black Rapid strap attached only to the lens, a couple of times actually, but that was probably more a design flaw of the older Canon bodies rather than the strap system. Still, it wasn’t great, and that’s why I started to do things like thread a long camera strap base through the Black Rapid Straps, but now that I’m using the Peak Design Straps and their smaller loops, I’m preventing the possibility of this happening by slinging longer lenses how you can see in this next image.

Canon EOS R5 and 100-500mm Lens with Strap Attached by Really Right Stuff Quick Detatch D Loops

As you can see, I bought two QD Strap loops so that I could create this sling configuration as well, attaching one to the L-Plate, and the second to an L85 Lens Plate, which I also just bought for the Canon RF 100-500mm lens, and that also has the new QD Socket both on the front and back of the plate. I could, of course, put both QD Strap loops into the plate on the lens, but that then leaves my camera free to fall to the ground if it did come loose as my old 1D4 did.

I actually think the RF Mount is probably less susceptible to that kind of rotation, and I recall hearing that Canon had made improvements in this area, but I like to cover my bases, and so I attach one loop to each piece of equipment. That also means that both are being pulled up from their bases, and that removes any force that could potentially cause the camera to rotate anyway. And again, this also puts the camera’s grip in the palm of my hand as I sling this over my body. I generally have the strap over my left shoulder with the camera hanging down on my right side, and it works really well in this configuration.

The D Loop itself is an ingenious little invention and they are incredibly strong. The RRS Website quotes both 450 lbs and 300 lbs of pull pressure for these devices, and although I imagine one number is for the D loop itself and the second for the main attachment, it doesn’t really clarify which it is, but either way, 300 lbs is the lower of the two, and that is more than enough for me to not worry about this coming loose unintentionally. Also, both to insert and release the QD Strap loops, you have to press the central column and there is no way you could do that accidentally while supporting the camera.

Really Right Stuff QD Strap Swivel - D Loop
Really Right Stuff QD Strap Swivel – D Loop

The D Loop is just $12 on B&H Photo, but I should note that if you wanted to feed a flat strap directly through the loop, as opposed to the Peak Design Loop that I’m using, there is a low profile loop also available although that’s $29, but it is more suitable if you’re using a flat strap. As we’ve come this far, we might as well take a closer look at the L85 Lens Plate before going into detail on the L-Plate, so here is a photo of the underside of the L85 Lens Plate.

Really Right Stuff L85 Plate on Canon RF 100-500mm Lens
Really Right Stuff L85 Plate on Canon RF 100-500mm Lens

Note the two little grub-screws at the front and back edge of the plate. These are to stop the plate from slipping out of the quick release clamp on the tripod should the lever come loose. They won’t, of course, prevent it from falling out if the lever is completely opened, but a loose lever is covered here. You also get a closer look at those QD Sockets that we mentioned earlier. I am actually more a fan of the complete replacement lens feet that Really Right Stuff usually make, but they don’t have anything for the Canon RF 100-500mm lens yet, and they couldn’t say if there were plans to produce one, so I went for the multi-purpose L85 for now.

And finally, before we move on, here’s a shot of the 100-500mm lens with the EOS R5 sitting proudly on top of my old and very trusted Really Right Stuff BH-55. It’s a bit beaten up, and I have to admit to cloning out a few scratches in these photos, but after more than 12 years of use I have no reason to replace this workhorse ball-head.

Really Right Stuff L85 Plate on Canon RF 100-500mm Lens
Really Right Stuff L85 Plate on Canon RF 100-500mm Lens

Canon EOS R5 & R6 L-Plate

OK, so let’s take a closer look now at the new L-Plate which is designed for use with both the Canon EOS R5 and the R6, and this again has a number of innovative improvements. The first as I’ve mentioned is the QD Socket to enable the attachment of the QD loop, and the other thing is the addition of the sliding plate that you can see in this image of the underside of the L-Plate. In the image to the right below, I aligned just this silver plate with the screw thread and registration hole in the bottom of the EOS R5, so that you can see what’s happening.

The slider is basically prevented from rotating because it’s fixed in two separate locations, so the L-Plate feels really secure when fixed to the camera, even though there is only one locking nut. There is also the inclusion of a short hex key held into place under the L-Plate with two strong magnets, so it’s always there when you need to loosen or remove the Plate. I actually have a hex key on my keyring which is always in my pocket, but this is a nice addition. In fact, I may even now remove the one from my keyring.

As you can see in the next image, the slider mechanism enables us to loosen the L-Plate and slide it out to the left of the camera, allowing for easier access to the cable ports, which is especially useful if you shoot tethered video or stills, and need to put the cable holders into position. You can access the cable ports without doing this, but these larger attachments take a little more room, so it’s nice to have this option.

Really Right Stuff L-Plate Making Room for Cables
Really Right Stuff L-Plate Making Room for Cables

There is also a gap in the vertical plate for the L-Plate which enables us to rotate the articulated LCD for up to 35 degrees when extended out to the side. You cannot simply rotate it freely though, so I’ve decided to stick with a regular base plate for my second camera, although I do like having an L-Plate of my camera as it also protects it from getting knocked around, especially when shooting on a rocking boat, for example. My L-Plates usually end up with white paint on them from the sides of boats, and I’m always grateful that it’s the plate and not my camera that is taking the knocks.

Canon EOS R5 with Really Right Stuff L-Plate Landscape Orientation
Canon EOS R5 with Really Right Stuff L-Plate Landscape Orientation

Of course, the major benefit to using an L-Plate is because it provides the ability to flip the camera up into portrait orientation on the tripod and keep the center of gravity in the center of the system, unlike when you flop the camera over on its side in the ball-head, which I really dislike having to do. With the L-Plate you hardly lose any height of the viewfinder and it is simply so much better balanced in portrait orientation.

Canon EOS R5 with Really Right Stuff L-Plate Portrait Orientation
Canon EOS R5 with Really Right Stuff L-Plate Portrait Orientation

This is only an issue, of course, when using shorter lenses. With longer lenses like the 100-500mm, I simply loosen the tripod ring locking screw and rotate the camera and lens into portrait orientation, because the camera is mounted with the lenses plate not the L-Plate.

OK, so a relatively short episode to end the year with, but I hope you found that useful. As usual, if you did find this useful and would like to help keep a roof over my head, please by with the B&H Affiliate Links in this post and below. The price is unchanged to you, but it does help to keep the lights on, so using these links is very much appreciated. And to end, I’d like to wish you a safe and peaceful 2021.

Show Notes

Really Right Stuff L-Plate Set for Canon EOS R5 & R6:

Really Right Stuff QD Strap Swivel – D Loop:

Really Right Stuff QD Strap Swivel (Low Profile):

Really Right Stuff L85 Multi-use Fore-Aft Plate L85 Plate:

Really Right Stuff BH-55 Ball-Head:

Music by Martin Bailey


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